FRANKENSTEIN illustrated complete and definitive 1831 edition edition by MARY SHELLEY Literature Fiction eBooks
Download As PDF : FRANKENSTEIN illustrated complete and definitive 1831 edition edition by MARY SHELLEY Literature Fiction eBooks 
The Definitive Edition of FRANKENSTEIN
-Illustrated with stunning illustrations and period pictures
-Complete, unabridged, and formatted for kindle to improve your reading experience
-Includes Mary Shelley’s 1831 introduction detailing the fascinating story of the book’s creation
-Linked table of contents to reach your chapter quickly
“It has been a wonder to read such a story when I thought I knew all about it, and how it was going to end.” Worlds Without End Blog
“It is a startling work from someone so young, combining profound philosophic disquisitions with melodramatic blood and thunder.” Michael Saler TLS
“The novel of "Frankenstein, or the Modern Prometheus," is undoubtedly, as a mere story, one of the most original and complete productions of the age. We debate with ourselves in wonder as we read it, what could have been the series of thoughts, what could have been the peculiar experiences that awakened them, which conducted in the author's mind, to the astonishing combination of motives and incidents and the startling catastrophe which compose this tale.” Percy Bysshe Shelley
“It is a beautiful work of art that deserves the title of classic and should be read by all readers.” Michael
FRANKENSTEIN is one of the most exciting and profound gothic horror stories and adventures of all time. Presented in a beautiful edition specially designed for kindle, this is Mary Shelley’s masterpiece which will stay with you forever.
FRANKENSTEIN illustrated complete and definitive 1831 edition edition by MARY SHELLEY Literature Fiction eBooks
Be aware that there are significant differences in the novel published in 1818, and the revised novel, published in 1831.Both the 1818 and the 1831 versions are explicitly available on Kindle (and in print); more troubling is that there are also downloads (and print editions) that do not clearly state which version you are getting. If you are purchasing Frankenstein for school, study or a book club, be sure you receive version you want/require.
The 1818 edition is generally said to present a more stable and coherent conception of the character of Victor Frankenstein and of Mary Shelley's political and moral ideology.
The difference between the two editions, according to a blog post by Julie Renee Phelan, include a thematic disparity concerning the role of fate in relationship to destiny, the extent of Frankenstein's responsibility for his actions, the representation of nature and family, and the role of Clerval. In the 1818 edition, Frankenstein possesses freewill: he could have abandoned his quest for the "principle of life,' he could have cared for his Creature, and he could have protected Elizabeth. The differences between the first, 1818, and second, 1831, editions of Frankenstein, correspond with Mary Shelley's life experiences (the interval death and or betrayals of family, friends and lovers). Thus in the subsequent 1831 edition, Shelly portrays nature as a juggernaut or a mighty machine. In the 1831 edition, Frankenstein is a mere pawn within the force of nature, which is beyond his understanding. The changes in diction and philosophical context between the three versions of Frankenstein--the manuscript, the 1818 edition, and the 1831 edition, make this an ideal text for classes in editing, or theory - especially from the perspective of deconstructive criticism. Thus, I was not a surprised to find Harold Bloom the editor of the 1965 (and later) Signet Classic reprint of the 1831 text.
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FRANKENSTEIN illustrated complete and definitive 1831 edition edition by MARY SHELLEY Literature Fiction eBooks Reviews
But entertaining in its own right. This is not a book that lends itself to film adaptation. It is too full of philosophy and inner thoughts. This creature is no dumb brute. He speaks in complete sentences, and feels human anguish. Mary Shelley was just 19 when she wrote this. It is amazing that she could both craft such a complex story structure, and understand human nature so well.
It was a necessary but laborious read. It's finally off my bucket list though. Thankfully it's a very short book.
Mary Sheely is truly talented and great writer. Shelly captured the anxieties of her time in this compelling Gothic horror story about Man's attempt to control nature and failed. This is an excellently formatted and illustrated edition of this brilliant work.
You get the prospective from the Doctor Frankenstein and the poor monster he created.
This story is told from the monsters point of view of how he had to learn how to speak while in hiding.
It gives the monster a human way of seeing how he was wronged by his creator by just running from him.
What can you add to the 100+ years of literary praise? It's redonkulously brilliant? Just read the book.
It's not a love story. It's not science fiction. It is about identity and the need for origins (the ultimate Roots). It asks and attempts to answer the question "What is the true value of a name?". It undresses the arrogance of humans in science and technology. It lays naked the truth about how ignorance nourishes fear and prejudice. Finally, from my perspective, it asks and responds to the question "Is it God, the parent or a creator's neglect that brings a child to do harm or is it an individual choice that leads to revenge and devastation?"
A very well written story but quite intense. This story was certainly not what I expected after all the movies I have seen about Frankenstein, the monster. This story developed the emotional feelings of the monster and less about his crimes. It portrayed him as a caring individual and his wanting to be accepted. I visualized what he must look like after seeing the movies but in the book, I think his face must have been more hideous. I enjoyed this book and found it fascinating. I never thought about the monster's creator and his problems he would have after the creation. The ending was a surprise and not what I expected..
As I'm plowing my way through all the classics I never read in my younger years, I've been overjoyed to find all these great works on for ~99 cents. What's interesting is how relevant many of these works are to today. This book is no exception. The writing is somewhat, yet refreshingly, challenging. The struggle between innate goodness versus the forces of evil one is subjected to as they mature is a central theme throughout this work. The only reason I went with four stars is that the narration is so full of despair and despondency that it became tiresome to read at times. This is not your father's "Mel Brooks" tale. Definitely worth your time.
Be aware that there are significant differences in the novel published in 1818, and the revised novel, published in 1831.
Both the 1818 and the 1831 versions are explicitly available on (and in print); more troubling is that there are also downloads (and print editions) that do not clearly state which version you are getting. If you are purchasing Frankenstein for school, study or a book club, be sure you receive version you want/require.
The 1818 edition is generally said to present a more stable and coherent conception of the character of Victor Frankenstein and of Mary Shelley's political and moral ideology.
The difference between the two editions, according to a blog post by Julie Renee Phelan, include a thematic disparity concerning the role of fate in relationship to destiny, the extent of Frankenstein's responsibility for his actions, the representation of nature and family, and the role of Clerval. In the 1818 edition, Frankenstein possesses freewill he could have abandoned his quest for the "principle of life,' he could have cared for his Creature, and he could have protected Elizabeth. The differences between the first, 1818, and second, 1831, editions of Frankenstein, correspond with Mary Shelley's life experiences (the interval death and or betrayals of family, friends and lovers). Thus in the subsequent 1831 edition, Shelly portrays nature as a juggernaut or a mighty machine. In the 1831 edition, Frankenstein is a mere pawn within the force of nature, which is beyond his understanding. The changes in diction and philosophical context between the three versions of Frankenstein--the manuscript, the 1818 edition, and the 1831 edition, make this an ideal text for classes in editing, or theory - especially from the perspective of deconstructive criticism. Thus, I was not a surprised to find Harold Bloom the editor of the 1965 (and later) Signet Classic reprint of the 1831 text.
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